tha bitch is wack!
One of the weirdly absent pop cultural topics missing from this book is the discussion of rap and
hip-hop artists. I think there is no better venue in pop music today for a woman to say what she
wants, whether it be the hyper-intelligent social commentary of Missy Eliot or the decidedly un-
PC suped-up sexuality of L'il Kim. In rap, you see both ends of the spectrum getting the
treatment and props each deserve. Wurtzel spends a lot of time talking about female roles in
country music, which I think can probably be summed up by the late Tammy Wynette, it's all
either stand by your man or d.i.v.o.r.c.e. Women in country music can only be as strong as their
physical attractiveness will take them. You'll never see the white equivalent of Missy Eliot on
TNT. Conversely, their sexuality must be kept in check; you'll also never see the white
equivalent of L'il Kim on TNT.
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